Character actress/sex-scene specialist Anna Levine's movie career has been like her bra--holding two big, separate spheres in one. Anna is respected by the acting cognoscenti for her nuanced depictions of auxiliary characters in such important pictures as Heaven's Gate (1980), Wall Street (1987), and Unforgiven (1992). Simultaneously, large-mammed Levine earned the admiration of discerning skinthusiats with her uninhibited and enthusiastic portrayals of broads who like to swing their jugs in the open air. Though her rack appears in countless low-budget boob operas, Anna stretches the skinvelope with a lesbo-riffic gynecologist's fantasy that includes a wink of shaved clam in Fiona (1998). In Bridget (2002), the adventurous, veteran nudist is marched blindfolded and attire deprived into a city street after enduring a grueling ordeal of nude pushups while surrounded by a ring of menacing men. It's easy to feel the mystique of being one of them, thanks to Anna's raw emoting.