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All or Nothing (2002)

Great Nudity!

English director Mike Leigh is not known as a visionary of soft sunlight and gentle birdsong. Nonetheless, Leigh’s difficult, often harsh depictions of Britain’s squeezed middle classes present a people determined to move forward with dignity intact, no matter how grotesquely they have been compromised by outside circumstances. Bittersweet is an insufficient term to describe the observational reality of All or Nothing (2002). The characterizations seem to have been etched in acid but with a loving focus on humanizing detail. A hard-bitten taxidriver is burdened by the responsibilities of his unresponsive wife and two fat kids, until a medical emergency affects a life-altering shift in his perspective and also in the perspective of anyone who has endured watching All or Nothing long enough for the payoff.

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