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Intervista (1987)
Top Scene
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0:22
Nude, breasts 01:00:00 Eva pouts and poses for some high-fashion photos, and, during a fit of inspiration, the photographer rearranges her blazer to bare a bit of brief right boob.
0:55
Nude, breasts 00:40:00 Paola gives us a tease of her naked knockettes jiggling behind a frosted shower door, but gladly shows us her undistorted lefty, albeit brief, when she slips into a robe after.
Sleight-of-hand magicians and brilliant bullshit artists exert one common fascination. An entranced audience takes in the performance, is dazzled almost to a point of suspended disbelief, and later wonders: “We know that what we saw and heard is not what really happened, but how in the hell did they pull off that stunt?” A master of adorning obvious illusion with concrete substance, adored Italian film director Federico Fellini referred to his occupation as a type of exalted liar. Fellini’s peculiar blend of playful profundity is presented inside out in Intervista (1987). At once a retrospective, a fictionalized autobiographical account, and an elaborate send-up of the movie industry’s tempestuous personalities, equal parts paean and prank, Intervista is a love letter from the bullshitter within to the public magician.
