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Yumeji (1991)
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0:19
Nude, breasts 01:44:00 Tomoko, right boob brandished, admires herself in a mirror as a servant rinses her off in the tub.
1:14
Nude, breasts 01:45:00 She loosens her kimono and contorts herself into several suggestive poses for her man. Again, the only thing she shows us is a flash of right hand mam.
In the surreal historical drama Yumeji (1991), a talented painter in 1920s Japan (Kenji Sawada) is haunted by strange hallucinations--some involving a beautiful woman in a red kimono (Tomoko Mariya), others involving a faceless enemy who wants him dead. The final film in Seijun Suzuki’s boldly expressive Taisho trilogy, Yumeji is less kinetically violent than some of Suzuki’s best-known works, like Tokyo Drifter (1966), but it’s nevertheless a haunting, mind-bending achievement. Mariya helps make it memorable by shedding her kimono for alluring peeks at her lithe frame.
