Natasha Gregson Wagner is genetically programmed for extreme hotness. As the daughter of the gorgeous Natalie Wood and niece of sexpot Lana Wood, it's clear Natasha has a silver screen pedigree. The alluring ingénue debuted in Dark Horse (1992) opposite the mamtastic Mimi Rogers. Even though Nat sports a more streamlined pair than Mimi, her films confirm she’s happy to share. After rocking a bikini in Dead Beat (1994), Natasha donned skimpy skivvies in Another Day in Paradise (1998). That is, when she wasn’t showing off her petite peaks during a dimly-lit sex scene. The provocative pixie displayed her naked T&A in the humorous horror flick Modern Vampires (1999), which includes coverage of her bikini bod. But not before Ms. Wagner wowed fans with her skintastic performances in 1997. First, she lost her top in Lost Highway to reveal her refined rack. Then the be-thonged beauty proved baby got back, bare butt and bush in Quiet Days in Hollywood (1997). Breast of all, her nude boobs were out throughout the romantic drama First Love, Last Rites (1997). Nat gave a titillating turn in Sol Goode (2001), which has her comically playacting in bed via pigtails, a lollypop, white bra and panties! But in the drama A Kiss and a Promise (2012), the sultry starlet's bedroom antics are more intense—especially since she exposes her chest. Whether in movies (Rebel Highway: Dragstrip Girl) or on TV (Zero Effect, Pasadena, Chicago Hope, The 4400), Natasha has inherited our hearts—and another part of our anatomy!