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Marlène Jobert Nude
Top Marlène Jobert Scenes
Showing 5 of 16 — join to watch all
1:22
00:39:00Nude, breastsThey're pert, they're firm, they're natural, they're awesome. More rack at the doctor's office.
0:55
01:00:00Nude, breasts, bushVictory! It's Marlene's fully frontal furburgerage in the tub. Don't cry, Marlene--you look foxy!
0:40
00:03:00Nude, breasts, buttStretching out on a plexiglass table, Marlene gives good bunnage before showing a little right tit when she primps for the camera.
1:01
00:05:00Nude, breasts, buttFirst she drops her duds and bares side butt and boobage strolling behind foggy glass, then settles down to watch her own nude booty in projected movie stills while flashing a hint of rack in a low-cut top.
0:29
00:54:00Nude, buttA dude peers into his camera to get a better look at Jobert's jawdropping juff as she walks to the tub. That is one staggeringly tight tush!
0:38
Premium
00:02:00Nude, breasts, bushDuring opening credits, we see Marlène's Jugberts . . . she emerges from the shower with a gun, and then goes frontal! And speaking of an emerging "gun" . . .
Carrot-topped cutie Marlène Jobert is the equivalent of Katherine Hepburn in France, with the difference being that this amazing actress is hip to the nude scene. First featured in films by acclaimed directors, such as Louis Malle's Le Voleur (AKA The Thief of Paris) (1967) and Jean-Luc Godard's Masculin, féminin (AKA Masculine, Feminine) (1966) (alongside equally boobtastic Brigitte Bardot), Marlène's mojo was most mackin' to the collective croissant lover in Le Secret (AKA The Secret) (1974). It's not exactly hush-hush that this Algerian-born eyeful is free about flashing her firm, freckled flesh in flicks such as Faut pas prendre les enfants du bon Dieu pour des canards sauvages (AKA Don't Take God's Children for Wild Geese) (1968), Ten Days' Wonder (1972), Pas si méchant que ça (AKA Not As Wicked As All That) (1974), Julie pot de colle (AKA Julie Gluepot) (1977), Va voir maman, papa travaille (AKA Your Turn, My Turn) (1978), La guerre des polices (AKA The Police War) (1979), L'amour nu (AKA Naked Love) (1981), and Effraction (1983). With enough fiery-red amour to make your member sore, Marlène is skintastic in all her endeavors, but perhaps none moreso than the one she graced us with in 1980: daughter Eva Green, who took up the mantle of Naked Skinternational Sinema Siren with triple-B brilliance in director Bernardo Bertolucci's NC-17 sensation The Dreamers (2003). Merci Eva for taking over, since Marlène hasn't been seen on screen since 1998. Imagine if she joined her daughter for one spectacular skinterfamilial scene. We wouldn't have any semen left...
