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Reiko Ike Nude
Top Reiko Ike Scenes
Showing 5 of 8 — join to watch all
1:18
Nude, breasts 01:09:00 Reiko is sprawled out topless on the floor of a weird church-like setting while Christina Lindberg whips her bloody. Skingoriacs and bondage freaks take note!
1:01
Nude, breasts, butt, bush 00:01:00 Boobs, buns and hint of bush -- including back-burger! -- as Reiko lays waste to all comers with a sword during the opening credits.
1:29
Nude, breasts, butt 00:04:00 As Reiko is bound by the wrists and suspended off the ground, a pair of creeps engage her in some gnarly doings with, among other propse, a lit candle. Boobs and butt.
1:17
Nude, breasts, butt 00:51:00 Iko scours her sweet teats and seat in the shower before her her guy gets weird and pokes her with a gun. We can think of other things we'd use to poke her.
0:44
Nude, breasts 01:05:00 Squatting on a table and surrounded by dangerous typse, Reiko tosses off her kimono, exposing her bo-bo's, and then separates a fella from his fingers with a saber.
0:55
Premium
Nude, breasts 00:17:00 Catch a few fleeting glimpses of Reiko's chesticles when she fights another inmate in the prison yard.
Reiko Ike is one of the reasons that not only the sun is rising in Japan. This Asian arouser has been the reigning queen of that region's exploitation mind blowers since her beginnings in a little feature called Girl Boss Guerilla (1972). In it she fights for control of a girl biker gang that enjoys stabbing and beating and exposing their tattooed bosoms while doing so. She followed up that seemingly impossible-to-follow feat with Sex and Fury (1973), which, among those connoisseurs of the intersection of nude Japanese women and bloody violence, is considered to be the absolute best Japanese exploitation film ever made. The period piece gets an exclamation point in your pants thanks to Reiko's nude sword fights, which may induce a sword fight of your own. The big-boobed B-girl went on to star in Female Yakuza Tale: Inquisition and Torture (1973), of which no less an authority on trash culture than Quentin Tarantino said about its director, "Teruo Ishii is a fantastic director, a great director! I love Teruo Ishii." Reiko is back to her naked swordsmanship, which leaves crotches in ribbons. Finally, she starred in Criminal Woman: Killing Melody (1973), the ultimate girls-behind-bars flick thanks to Reiko's bound and cigarette-burnt jugs. It's just that smoking. Reiko went on making films until The Golden Dog (1979) but hasn't been heard from or (more importantly) seen since. Come on, Tarantino: Bring her back to the public awareness with a kick ass flick that finds Reiko slicing and dicing her way through the Yakuza! You could even write in a topless scene while you're penciling in all those shots of her feet! Come on man, do it!