Legendary director and eater Orson Welles was a big man with big appetites, and it took a dish like Croatian cutie Oja Kodar to satisfy his hunger. They met when Welles was filming The Trial (1962) in Zagreb and worked together on The Deep (1967), also starring Jeanne Moreau, which was ultimately abandoned and left unfinished. Welles tried to be Oja’s Svengali but sadly failed, as she never gained fame in the U.S. In 1970, when an Italian newspaper published an exposé of their affair, Welles left Italy for America. While Oja never became the fourth Mrs. Welles, after the big man died, Paola Mori, the third Mrs. Welles, agreed to settle his will with her. On the way to sign those papers, however, Mrs. Welles was killed in a car accident. So this bio doesn’t end on a bummer, check out the documentary F for Fake (1974), Oja’s onscreen nudity is directed, of course, by Welles. In her role, Oja plays the role of "The Girl", and she strips down to a sexy bikini at one point before posing nude for an art class. We get brief shots of nip and booty in this titular scene. Then in 2018 we get another nude Kodar in The Other Side of the Wind. Mr. Skin is happy to report that we found the hole-y trinity here (otherwise referred to as the 3 B's). There's plenty of bush and butt to go around, with a healthy slab of chest meat to round out the feast. Now we know why Orson Welles was hungry all the time!