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Anna Falchi Nude

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Finnish-born, flesh-melon-fortified Anna Falchi cried "Arriverderci Helsinki" as a teen, setting off to Rome to make her mark in the sun-kissed cinema of Italy, debuting in On the Dark Continent (1993) and raising the eyebrows of producers, modeling agents, tabloid reporters, and the ever-eager paparazzi, who know a knee-weakening sexpot import when they see one. A string of uninspired Euro productions followed, but the only memorable fire she ignited for skin seekers was in Italian horror-meister Michele Soavi's zombie-saturated Cemetery Man (1993), issued on these shores as Cemetery Man. Juggling a handful of roles--all of them playing on the fantasies of her mortician co-star Rupert Everett--she frequently bursts free of her blouse to reveal a pair of the most curvaceous and cushiony canoles that lira can buy. One such sequence finds her raucously riding a receptive Rupert atop the grave of her recently deceased husband--who ultimately rises from his grave to sink his teeth into his scrumptious former wife. Espresso costs extra.

Cemetery Man Nude - as She
Nude, breasts, butt 00:20:00 Anna unveils her awesome bazooms in a cemetery with some guy. Those knockers will wake the dead! (1 min 30 secs)
Nude, breasts 00:26:00 Anna rises from the grave. Then she catches a bullet to the head. What happened? Who knows! Who cares! Those tits are AWESOME! (30 secs)
Nude, butt 01:26:00 A bit of butt when she gets tucked into bed with a heat lamp. Those are some hot cross buns. (19 secs)
Nude, breasts 01:24:00 Rupert Everett's the john, Anna's the ho. See her ho-licious hooters as the wrap up a roll in the hay. (52 secs)
Bodyguards - Guardie del corpo Nude - as Herself
Nude, breasts 00:30:00 Anna plays a glammed-up Arabian babe-ian in gauzy see-through scarves showing some nipplage, then a bare left jub. I wish I was that camel, 'cause I sure would like a hump . . . (26 secs)

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