Vittoria Belvedere got her big break in the 1992 Italian comedy In camera Mia, followed shortly thereafter by an appearance in the hit mini-series Delitti privati. Since then, she’s pretty much worked non-stop, appearing in all forms of Italian media from her work on such series as Trenta righe per un delitto, Le Regazze di Piazza di Spagna and Il Ritorno di Sandokan to more Skinematic pursuits like La Spiaggia, Si fa presto a dire amore…and Ritorno a Parigi. She sure seems to do a lot of “ritorno-ing,” eh?Naturally, Vittoria not only has the talent for such Skintertainment success but also possesses an inherent beauty very-nearly unmatched by most of her contemporaries. For more of what we’re referring to, here, check out 1993’s Graffiante desiderio. In the film, she and her cinematic cousin have a fairly steamy affair during the course of which, we get to gaze at her enormous, Mother-of-Earth breasts in all their unclothed glory. For that matter, when she is wearing clothes in the film, they tend to leave very little to the imagination.