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Nathalie Baye Nude
Top Nathalie Baye Scenes
Showing 5 of 15 — join to watch all
4:01
00:28:00Nude, breastsboth, bed sex, right, left
0:17
00:14:00Nude, breastsNo view of her craquer, but we too get to see some nice boobage as she peels off her slip.
0:13
00:36:08Nude, breastsPeep a nice look at Nathalie's knockers as she strips off her shirt for a sexy time!
0:14
00:44:29Nude, butt, bushSome quick looks at Nathalie's bush and a nice look at her tan-lined tush as she gets out of bed in just a t-shirt to open the window!
1:17
00:33:00Nude, breastsBaye lets her boobles bobble on the surface of the water as she relaxes in the tub and chats with Ottavia.
0:32
Premium
00:42:00Nude, breastsWe get some tit, twice, as she gets groped on a bed by Le Beast himself--Monsieur Depardieu.
Born on July 8, 1948, in in Mainneville, Eure, Normandy, France, Nathalie Baye started her career as a dancer, so her body was primed for her dramatic leap to more skinematic pursuits. When she was 14 years old, she joined a dance school in Monaco before spending some time in the United States in her late teens. After Nathalie returned to France, she kept up her dance studies and attended the Simon Course at the Conservatoire, where she graduated with a second prize in comedy, dramatic comedy, and foreign theater. Her first mam-nanimous onscreen appearance was in Day for Night (1973), but nasty Nathalie was just getting started. Since then, she's found considerable success in both French and international cinema, appearing in such films as The Last Woman (1976), Beethoven's Nephew (1985), The Man Inside (1990),Catch Me If You Can (2002) — opposite Leonardo DiCaprio, Wrestling Queens (2013), and The Assistant (2015). But Nathalie's breast performances are saved for her beret-spinning native land. In films such as La Gueule ouverte (1974), Mado (1976), and Rive droite, rive gauche (1984), Nathalie shows off every moist bit of her young, slim, and seductively charming self. Naturally, a hottie like this doesn't let maturity slow her down (either in terms of getting naked or of keeping her body in whacktastic shape). En toute innocence (1987), De guerre lasse (1987), Si je t'aime, prends garde à toi (1998), and even Une liaison pornographique (1999) expose why, like wine, French foxes only get better with age.