Elena Anaya's giant hazel eyes are wide in a continual state of awe, as if she is forever discovering the first joys of orgasm. As the pleasure waves crash upon the spritely Spanish starlet, her luscious mouth smiles in the delight of a child who has just tasted a brand-new favorite candy. Elena grew up in the limelight, and her maturation can be tracked through the progression of her skinematic achievements. Look for the demure exposure of Africa (1996), where young Elena appears slightly tense at being seen fully naked, but thrilled too. By the time of Where the World Ends (1998), the blossoming beauty is avidly flailing her luscious chest melons while engaging in simulated sex. Once Sex and Lucia (2001) rolls around, intoxicating Elena has become a brazen sexual icon, modeling a corset and leaning forward to check her self-spreading butt loaves in a full-length mirror. Sizzling senorita Anaya is growing up! And her ass is still as fresh as the day she first flashed it. She takes a lot of sexy swings at playing lesbian roles in Swing and Room in Rome. She shows us some of her bush on top of her luscious melons in Where the World Ends, Talk to Her (2002), Savage Grace (2007), El invierno de las anjanas (2000), Hierro (2009) and The Skin I Live In (2011). The skin she lives in is certainly beautiful because we can't get enough of watching Elena flaunt her fabulous figure and bare breasts in Lágrimas negras, África, Rencor, Miguel y Williams, and her bikini-clad bod in Van Helsing (2004). In the movie 9, she is a perfect 10 when we see her boobs. Only seeing her boobs is actually pretty tame for this Spaniard. She was fully naked in Skin I Live In and Room in Rome, two skintastic flicks that show her bush. She went full frontal in Swung (2015) which will make your peen go shwing!
Pensé que iba a haber fiesta (2013) - as Ana
La habitación azul (2001) - as Ana