There is a sexual revolution going on in the Philippines. It’s enough to grow your palm tree and tickle your coconuts. The sex in cinema is thriving and puts Hollywood to shame but makes Mr. Skin’s day. Take for carnal example Ana Capri, who has been making the big screen safe for exotic erotica since her first reveal in the drama Kirot Sa Puso (1997), where Ana’s boobs are seen twice, once for each. Hapdi ng tag-init (1997) puts Ana under the waterfall for a very symbolic sex scene. The Philippine cinema is not only sexy, it’s a hybrid of genres that mesh for a wild time, as in Troublesome Night 4 (1998), with Ana’s bathroom make-out scene in which you can make out her tits. Ana is a busy beaver, showing skin in Love and Desire (1998), Sa Paraiso ni Efren (1999), Pila Balde (1999), and Alyas Big Time (1999). But she really hit the big time with Live Show (2000), where she played a sex worker. The hairy palms at Skin Central are going to learn Tagalog, because that’s the language of skin.
Love and Desire (1998) - as NA
Alyas Big Time (1999) - as NA