Amel Amor plays a prostitute in her debut, the Spanish drama El último guateque (1978), but we’d pay real money for the experience of her beauty intimately delivered to our body. In fact, aren’t we prostituting her by paying for the opportunity to see her on film for the pleasure of it, the self-pleasure? Are we all prostitutes and johns? Is that the x and o of our biological software? Why so many questions? Let’s get back to the real deal, Amel. If we’re going to put our money on one of our honey’s hottest pervformances, then we’d put it all on Trampa sexual (1978), with its ample nudity, threesomes and lesbianism, or the holey trilogy.