Mr. Skin's Pick of the Week
The Final Destination (2009)Blu-ray
STUDIO: New Line
NUDE: Gabrielle Chapin (breasts, butt)
The fourth installment in the inventive Final Destination horror franchise, the 3D shriekfest The Final Destination (2009) follows the survivors of a cataclysmic accident at a race track. The still living try to avoid being picked off one by one by the dark forces of fate that they only thought they could cheat. All the explosions and grisly death scenes are presented in eye-popping 3D, as are the bare boobs and butt of Gabrielle Chapin. Looks so real, you’ll try to cop a feel!
Kendra: The Complete First Season
STUDIO: Fox
NUDE: Kendra Wilkinson (breasts)
A reality-TV spin-off from the popular E! network show The Girls Next Door, Kendra focuses on the titu-lar Kendra Wilkinson and her adventures as she leaves behind the Playboy Mansion, Hugh Hefner, and her co-girlfriends Bridget Marquardt and Holly Madison to focus on life with her new husband, Hank Baskett. In episode three, Kendra strips down to her bra and thong panties at Dave and Buster’s. Dave’s got some new busters now!
Lorna's Silence (2008)
STUDIO: Sony
NUDE: Arta Dobroshi (FFN, butt)
Sokol (Alban Ukaj) and Lorna (Arta Dobroshi) are two Albanian emigrants in Belgium who want to open up a snack bar in the drama Lorna's Silence (2008). In order to raise the money, Lorna agrees to a sham marriage between her and a Belgian junky named Claudy (Jrmie Renier) so that she can obtain Belgian citizenship and then turn around and marry a Russian Mafioso willing to pay a lot of money to acquire the same quickly. But the plan will only work if Claudy dies while still married to Lorna. She may stay silent, but thankfully she doesn’t stay clothed!
To Live and Die in L.A. (1985)
STUDIO: MGM
NUDE: Debra Feuer (breasts, butt), Darlanne Fluegel (breasts, butt)
If money is the root of all evil, then counterfeit money is really nasty stuff. The U.S. federal government has a law-enforcement arm, a branch of the Treasury Department, that specializes in policing fake-cash crooks. Its agents are every bit as rough and tumble as the most reckless undercover narc, and it is only fitting that their movie, To Live and Die in L.A. (1985), should be directed by William Friedkin, creator of the classic cops-and-dopers thriller The French Connection (1971). Like Connection, To Live and Die in L.A. is packed with grim locations, gritty dialogue, whiplash-inducing camera work, the clash of testosterone titans, and a chase scene that would set the bar for imitators and emulators for decades to come. Plus there's a soundtrack by Wang Chung.
