Lyrical in nature and obtuse in meaning,
Jean-Pierre Dougnac’s arthouse drama
Un Amour interdit (1984) sketches the contours of a taboo love affair with smoldering intensity. Nineteen years old at the time of filming, the radiant
Emmanuelle Béart plays a devout Catholic schoolgirl who develops an infatuation with a nun at a nearby convent (
Brigitte Fossey). Both women grow euphoric at the realization
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