A self-loathing gay producer (
Campbell Scott) makes troubling demands on a struggling screenwriter (
Peter Sarsgaard) in the intelligent and well-regarded indie drama
The Dying Gaul (2005). Jeffrey (Scott) is willing to pay a pretty penny for the rights to Robert’s (Sarsgaard) script, but only if the writer changes the story into a romance between a man and a woman, instead of a man
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