The rituals of the British upper classes can be as baffling and savage as any deflowering ceremony conducted out in the wild by primitive aboriginals. In May Morning (1970), Italian director Ugo Liberatore casts an outsider’s anthropological eye upon the social contract in place among swinging ’60s English intellectuals. When a devilishly angelic Italian student enrolls at Oxford College, his looks, charm, and … Become a Mr Skin Member and get the full review