The traditional New York City, upper-middle-class wedding ceremony of thirty-five years ago, and all the hoopla leading up and attendant to it, is either the stuff of an excellent anthropological study or basis for an intelligent, heart-tugging comedy of emotional slapstick and physical nuance.
Lovers and Other Strangers (1970) holds up as more than a relic of its time. Incisive and affectionate, the
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