It may be obvious, but we have to state it anyway: Barbara Wood is going to give you wood. Stiff as a board, she got us, with her opening salvo in the business of show. And boy does she show in Rent-a-Girl (1965), where she’s a young model only to discover that her agency is actually a call-girl ring. Meanwhile, Barbara is topless and we’re speechless and pantless. The exploitation Watch the Birdie (1965) followed, and then another exploration of prostitution in The Hookers (1967), where she was uncredited but still topless. Her last movie, Julie Is No Angel (1967), left us praying to heaven above for her return.
