Between 1971 and 1979, Shirley Corrigan appeared in 19 skinematic credits, including one of her most famous, and also one of her first on-screen acting moments, The Devil's Nightmare (1971). Playing the character Regine, she’s the object of adoration by a lesbian vampire, and reveals her awe-inspiring attributes in the form of creamy, full breasts. Another favorite early work was a semi-skinful turn as Norma Zeitzler in the Italian production Il Vero e il falso (1971), which was released Stateside as The Hassled Hooker. Sizzling, seductive Shirley went on to appear in a slew of other films in a variety of languages, including Dr. Jekyll vs. The Werewolf (1972) as Justine, as Elke in Hard to Remember (1974) with Rutger Hauer, and as Jenny in the martial arts flick Kidnap in Rome (1976). She also starred in such skintillating pictures as Tales of Erotica (1973) playing Eugenia; Housewives on the Job (1973) as Grace Stevenson; Around the World with Fanny Hill (1974) as Fanny Hill herself; Unterm Röckchen stößt das Böckchen (1974), translated as The Goat Bumps Under the Skirt, as Susanne; and Secrets of a Call Girl (1974), also knowns as Anna: The Pleasure, The Torment, as Lisa. Notice a trend? Naturally, Shirley appeared in some notable state of undress in each of those fine productions, but they pale in comparison to her role as Fräulein Lensing in Campus Pussycats (1973), also known as Schoolgirl Report 6, where we get to see every little bit of the siren—breasts, behind and bush—in innocent full-front shots, bouncing in a field, reclining on a bed, and being ravished in a sensually slow scene where her lover's hands touch, tease, taunt and taste all of Shirley’s curves. Color us green—we’re jealous.