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Fur: An Imaginary Portrait of Diane Arbus

Fur: An Imaginary Portrait of Diane Arbus (2006)

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Review

The fanciful, not even close to nonfiction biopic Fur: An Imaginary Portrait of Diane Arbus (2006) casts the ultra-glamorous Nicole Kidman as the titular giant of American photography, then makes a ton of stuff up. In real life, Diane Arbus was the daughter of a wealthy department store owner and fur salesman, whose life partners were normal men who tended to share her passion for taking pictures. Rather than rolling with that story, Fur conjures up Arbus' passion for the strangest outcasts of society in the form of Lionel Sweeney (Robert Downey Jr.), a neighbor whose body is covered head to toe in hair. Diane is sick of living as a housewife to her husband, photographer and future M*A*S*H star Allan Arbus (Ty Burrell). Instead, she lusts after the strange man with the strange disease who lives in her New York City apartment building. Through this covered in hair affair, Diane will become inspired to pick up a camera and forever change the art of photography by profiling the oddest oddballs of America. How much of that happened in real life? Not a whole lot, but this one told you it was imaginary from the get go. Speaking of imaginary, it seemed like a naked Nicole lead a steady (and heady) succession of non-conformist skin, but while we do see her rump and rack in a darkly lit scene, the clear shot at the nudist colony was a body double! It's not actually Kidman? You've got to be kidding, man! At least Lynne Marie Stetson's body was the real deal in the same scene. Grab us a Kodak if being a photog means looking at that rack! Gwendolyn Bucci flashes tits but no coochie as a dominatrix, while Marceline Hugot brings the GILFy flavor via a full frontal shot. There's a snapshot worth taking! Who cares if it's imaginary if this portrait gives us all that tit?