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The Godfather

The Godfather (1972)

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Review

Although it was not the first movie to examine and exploit the mores and modes of organized criminals, The Godfather (1972) is considered the definitive mobster flick that set the standard for all gangster films to come. Indeed, the Best Picture winner has three Academy Awards to prove it! No doubt, its success has to do with Francis Ford Coppola’s focus on family dynamics via a visually lush lens. Of course, it doesn’t hurt that the 1940s/50s period piece is charged with suspense thanks to the fascinating and ever-shifting alliances and betrayals of emotionally rich and developing characters whose complexity transcended anything previously seen in the genre. Based on Mario Puzo’s bestselling book of the same name, this cinematic classic charts the transition of power in the Corleone crime dynasty from Vito (Oscar winner Marlon Brando) to his son Michael (Al Pacino). By the time The Godfather Part III (1990) was made, Sofia Coppola played Michael’s teenaged daughter. But in this flick, she makes her screen debut as the infant son of Connie Corleone (Talia Shire) and Carlo Rizzi (Gianni Russo). The Godfather also includes Diane Keaton, James Caan, Robert Duvall, and Simonetta Stefanelli’s nude boobs! As Michael’s first wife Apollonia Corleone, the Italian sexpot gives him a honeymoon we’ll never forget. When she literally loses her top, the bare-breasted brunette whips up a cannoli in Mr. Skin’s pants. Suffice it to say, being given the chance to spend a night with Ms. Stefanelli would be an offer no one could refuse!