Young love and revolutionary fervor combine in a roiling plot of romance and social responsibility in the German import
The Edukators (2004). A callow but conscientious band of pacifist anarchists argues their transgressive notions against propriety and entitlement by breaking into the houses of rich folk and arranging the moneyed burghers' prized possessions in absurd sculptures of meaningless affluence. The über materialists, in
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