In his controversial and truncated lifetime, Italian filmmaker
Pier Paolo Pasolini was revered and jeered as more than a movie director. The flamboyant and opinionated Pasolini was a poet, a political provocateur, and ultimately a martyr, murdered in response to his searing and uncompromising vision. At once a beautiful indictment of human vanity and a cruel celebration of mankind’s innate striving to know
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