Sainted French director
François Truffaut’s second feature film,
Shoot the Piano Player (1960), is a study in the intransigence of betrayal. Does anybody ever recover fully from being cheated? A man has been a concert pianist, but his adulteress wife’s imperfect deceptions have rendered him insecure, bitter, listless. From the great symphony halls he has fallen to tinkling background fill in a bawdy,
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