Back when the 20th century was still in its teens, prepubescent pretty
Myrna Loy’s family took the impressionable youngster on a theater outing to see
Maurice Maeterlinck’s
The Blue Bird (1910), the heroine replete in blue-silk dress and matching feather fan. Myrna immediately gave up the notion of becoming a nun or a nurse and set her sights on the entertainment stage, and
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