Scare cinema auteur
George A. Romero had already established himself as a master writer/director of American horror by the time he unleashed
Monkey Shines (1988). Where
Night of the Living Dead (1968) depicted the dregs of your neighborhood as flesh-eating zombies and
Martin (1978) presented the sexually-infatuated adolescent next door as a vampire,
Monkey Shines raises the specter of a helpful capuchin monkey
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