With
Kameleon (2001), director
Janusz Kijowski attempts to inaugurate a Polish action franchise on par with
Die Hard (1988) and
Lethal Weapon (1987). Taking a page out of the big-budget-Hollywood-blockbuster playbook, Kijowski constructs a potent cocktail of gunfights, bomb detonations, backstabbing spies, and busty dames. Because the latter ingredient is so important, Kijowski spared no expense in casting national treasure
Magdalena Wójcik in
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