Esther, whose last name has nothing to do with the Jewish “Holiday of Lights,” made quite an impressive Skinematic debut. Her first ever flick, 2001’s low-budget post-apocalyptic epic
Dakota Bound, featured the young buxom red-head as the yin to
Fawnia Mondey’s yang. They both portrayed as-of-yet free people in a world populated by slaves and, as far as we could tell, that was
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