A modern retelling of a classic play by
Gotthold Lessing, director
Henrik Pfeifer’s
Emilia (2005) accomplishes a disjunction between new and old by making his twenty-first-century characters speak the original lines of eighteenth-century dialogue. A scathing attack on nobility, the plot follows a virtuous, affluent woman whose beauty leads to her downfall. A nobleman’s lust causes the woman to be disgraced, thereby forcing
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