Although it was filmed thirty years prior and a country away,
Rafael Baledón’s Mexican drama
El Hombre del puente (1976) is somewhat reminiscent of
The Terminal (2004).
Gregorio Casal stars as “a man without a country”--an expatriate who encounters a legal snafu that relegates him to living on a bridge, because neither of the nations it spans will allow him to enter. It’s
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