In the darkly biographical film
Die Unberührbare (2000), director
Oskar Röhler paints a bleak portrait of the final days of tortured writer Hanna Flanders (
Hannelore Elsner), a thinly veiled stand-in for real-life scribe
Gisela Elsner. Drunk, depressed, and unfeeling, Flanders flings herself into whirlwind romantic affairs in an attempt to reclaim her lost joi de vivre. Even if things don’t ultimately pan out
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