German director
Matti Geschonneck generates an atmosphere of darkness and fear in his made-for-TV crime thriller
Der Rosenmörder (1997). The ripped-from-the-headlines plot concerns an ambitious female attorney (
Natalia Wörner) who’s assigned to defend a man suspected of murdering an innocent young girl. Although the evidence against the suspect is flimsy, the lurid nature of the crime causes the prosecutors to buckle down and
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