Thomas Vinterberg demonstrates that he’s the latest Dane with a bone to pick with America in
Dear Wendy (2005), a scathing satire about the U.S. of A’s love-hate relationship with guns. Following close on the heels of
Lars von Trier’s anti-American screed
Dogville (2004), Vinterberg’s film is set in a fictional frontier town, where a wimpy youth (
Jamie Bell) is emboldened by a
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