The general image of a 1970s blaxploitation feature is of pimpin’ players and flashy, trashy, tough-talking ’hos, with a corrupt white authority figure thrown in for chromatic relief. An exception to this rule is
Claudine (1974). A finely crafted dip into the day-to-day struggles of a single mother in Harlem working both ends of the day in an attempt to raise her six
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