Stephanie Swinney in Witchcraft 6 (1994)

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The triggers that cause a serial killer to select and dissect his next victim are as varied as the private childhood hells that produce such monsters. The young women traipsing through the general public as depicted in Witchcraft 6: The Devil’s Mistress (1994) would do well to leave their gold-cross necklaces at home. Some symbolic aspect of the crucifix, hanging in its proximity to a beating heart and a pair of heaving breasts, brings out a murderous response in a satanic maniac who never met a silicone-enhanced sweetie that he wouldn’t happily strip and sacrifice to the glory of the Dark Lord. The powers of light have only one hope to save god-fearing womanhood--a master warlock who has gone straight. Will his newly whitened magic be strong enough to wipe out the black soul of evil?