Elizabeth Hitchcock in Vampire Vixens (2003)

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Review

New Jersey’s Seduction Cinema knows that winning formulas are for milking. Though Vampire Vixens (2003) is presented as a sequel to the gloriously gonad-sucking Vampire’s Seduction (1998), this melange of muff-munching mammary-owners occasionally splattered with viscous red fluid might just as well be a continuation of Vampire Obsession (2002). Purists and scholars of the Seduction Cinema oeuvre may well point out that the films contain differing quantities of bared breasts, bobbing buns and chewed coochie, but many of the featured thespians are recurring cast members, and the plots, though distinct in noticeable ways, are for all practical purposes interchangeable. It’s hard to believe that any one of these three winners will have a better effect on the involved viewer than will either of the remaining two.

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