Wendie Malick in Divorce: A Contemporary Western (1998)

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All failed marriages are the same, and all are different. Details vary, but a sense of tragedy is universal. But then, too, is the welcome revelation that, at last, all involved parties can finally boink other people. Divorce: A Contemporary Western (1998) examines the shared phenomenon of broken hearts leading to new freedom with frankness, insight, and—in the foxy forms of Priscilla Barnes, Wendy Malick, and Denise Crosby—prime examples of why men fall in (and, more importantly, out) of love (and, most importantly, lust).