Caroline Key Johnson in Sexual Matrix (1999)

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Review

When people talk about ‘soft-core Cinemax titty flicks’, Sexual Matrix is precisely the sort of dreck they’re thinking of. Worthy of note to intrepid 12-year-olds with a keen affinity for the cable clicker, Sexual Matrix comprises 6 or 7 mildly serviceable sex scenes punctuated by a truly inane plot framework involving chintzy computer terminals and unconvincing scientists.

Our two scientists (a guy and a gal, natch) are paying solid money in return for sexual fantasies; erotica that can then be incorporated into a new computer program that will allow its users to experience…well, sexual fantasies. Duh. So a bunch of model-type subjects drop by, each one offering a more licentious tale than the one before. Imagine a soft-core porn version of Creepshow - and then extract any discernable filmmaking skill.

Sex scenes are situated in backrooms, aboard airplanes, in back alleyways and even on the Tron set (seriously!) – and each one truly does feature some astonishingly sculpted female forms. (Most likely sculpted by man and not nature.) The movie deserves a tiny bit of credit for: a) its generally attractive cast of ladies and b) keeping the sex scenes a’comin’. It’s important to judge a flick for what it is, after all. If you’re in the market for some soft-core sexiness, you could do a lot worse than this one. Moviewise it’s of course a junkpile but as a skin flick it does deliver the goods.



Nudity Report: Well, literally every female actress in the film disrobes, my favorites being Mia (wonderful breasts), Amber Newman (who does the vertical mambo in a trash-strewn alley) and the blatantly blonde and massively endowed Zoe Paul. Other gals you’ve never heard of who strip down naked are Lisa Comshaw, Michelle Hall, Caroline Key Johnson and Regina Russell. (Seven actresses 14 omnipresent knockers!)

IMDB Summary: 26 IMDb users (breast-haters all, apparently) rate this one at 2.8/10.

DVD Info: Full frame format, Dolby Digital 2.0 Stereo, trailer gallery


Written by: Scott Weinberg