Melanie Good in Die Watching (1993)

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With the development of video technology has come the refinement of instant gratification. A small, easily handled device grants the capacity for immediate playback of reality as it has moments before played out in front of you. Like all technologies, this power can be used for good or for bad. Guess which road the central creep of Die Watching (1993) takes? Okay, so he was traumatized as a kid; does that make him any less of a monster for strangling and suffocating highly attractive women and forcing them to witness their own demise on a video monitor? The only extenuating circumstance that might garner a teeny midge of sympathy for the killer is that many of his victims display racks that will live on in memory long after their carriers have departed this earth.