Dogs are not only man’s best friend, they are his ideal metaphor. In
Amores perros (2000), maverick Mexican director
Alejandro González Iñárritu presents three interlocking stories of violence, passion, hope, failure, and redemption, all with canine blood pumping through their savagely beating hearts. A cataclysmic automobile collision is the point at which the three segments intersect in this time-shifting, emotion-shifting, perception-shifting tour de
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