Vittorio De Sica, the director of the classic Italian neo-realist masterpiece
The Bicycle Thief (1948), takes a ride with svelte American beauty
Faye Dunaway in the romantic flick
Amanti (1968). Faye is dying and falls in love with
Marcello Mastroianni so that her last days have at least a bit of a bang. Most of that banging is off screen, but Faye shows
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