Salvador (1986)

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Some of the greatest filmmaking occurs when talent and passion collide. Orson Welles not only hated Hearst's smug right-wing journalism, but had met and despised the man himself.

Much like Citizen Kane, Salvador was a semi-documentary work by a fledgling filmmaker who was passionate about the subject, in this case, the filmmaker was Oliver Stone and the subject was America's hypocritical policy toward

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